2002 AES
New Products Guide
Microphone
Products
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2002 AES New Products Guide |
Microphone
Products
|
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| INTRODUCTION AC Power Products Acoustical Materials CD/DVD Duplicators/Recorders Computer Peripherals Computer Software Connectivity Control, Sync & Automation Digital Converters Loudspeakers Microphone Preamps Microphone Products Mixing Consoles Music Products Power Amplifiers Recording Devices/Editing Systems Signal Processing—Hardware Signal Processing—Software Test Equipment Wireless Products Other Products |
ACO Pacific ICP1248 Now, industrial accelerometers
and microphone preamps like the ACOtron 4212 can be added to your recording
repertoire. The ICP1248 converts 18-48VDC phantom power (12 VDC at reduced
performance) to 4mA Constant Current Line Drive (ICP Combining the high-stability
7052S Type 1.5 Titanium-Diaphragm measurement microphone, 4212 ACOtron
ICP PCB preamp, WS1 windscreen and ICP1248 phantom-to-ICP converter provides
a stage/studio/measurement system featuring 4Hz to above 20kHz response,
14dBA noise floor, and over 140dB SPL (<1%THD) system capable of driving
long lines at 14 Vpp. The true measurement mic construction assures a
high degree of both long-term and temperature stability.
The Model "ST" is a Class-A FET design featuring three polar patterns, pad and bass roll-off. Designed for both live and studio applications, this mic has a smooth response curve that's flattering on both male and female vocals. Applications include "point-source" pickup of multiple voices/instruments (bluegrass to barbershop quartet), as well as high-SPL applications such as a drums and amplifiers. Price TBA. ADK Multipattern Tube MicDebuting at AES is
an all-new 12AX7 vacuum tube-driven, multipattern vocal microphone that
features a transverse-mounted, hemi-head design. Details and pricing TBA.  AEA
R78
AEA's R78 ribbon microphone
continues the classic RCA 44's tradition of sensual sound. The R78 is
a dedicated figure-8 ribbon mic optimized for vocals, voice-overs, character
voice and on-air work, with the comfortable intimate clarity and extended
bottom of the figure-8 44 in a smaller physical package with an extended
top end. The physical package is based on the familiar 77 Series. Options:
switchable highpass filter, black/chrome radio finish and Rycote "furry"
wind filter. This multicondenser
microphone system for accordion uses the latest components in micro-electronics,
for an ultralow-mass, making placement easier than other systems. Housing
most of the electronics outside of the accordion makes installation less
complicated. With fewer holes to drill, it's easier and more dependable
over many years of use. Its small size and low mass give users the ability
to mount the mics permanently or temporarily.
A-T's Artist Elite dual-element AE2500 is the ultimate kick drum mic. The revolutionary AE2500 has two elements (cardioid and dynamic) positioned in a perfect phase relationship and enclosed in a single housing. The dynamic element delivers the aggressive attack of the beater, while the condenser captures the round tonalities of the shell. The AE2500 features an 80Hz highpass filter and -10dB pad, and it includes the new AT8471 isolation clamp. List: $699. Audio-Technica AE3000A-T's Artist Elite
The latest D Series
pro instrument mic, the cardioid D6, provides huge, clean, undistorted
kick drum reproduction from nearly any position, without needing to find
the drum's "sweet spot." The D6 uses the same mounting clip
as other D Series mics, and also fits Audix's popular D-vice and D-flex
units for convenient on-drum mounting with shock isolation. Response is
3015k Hz. MSRP: $349. Beyerdynamic has introduced a novel miniature microphone—the MCE 494, designed to be used by journalists and conference delegates, and in other dialog-acquisition applications using semi-pro recording media, PDAs or laptop computers. The mic is designed to improve the response characteristics significantly over the microphones fitted internally in such devices, transforming the audio quality and making it suitable for broadcast. Beyerdynamic MC930This high-quality,
small-diaphragm condenser features a wide 40-20,000Hz response and 71dB
signal-to-noise ratio. The switchable, 6dB/octave, 250Hz low-cut filter
reduces popping noise when close-miking. With the WS101 windscreen and
-15dB switchable pre-attenuation, the MC 930 can also be used for handheld
vocals. Its cardioid pattern offers high gain-before-feedback and eliminates
noise from the rear, making it suitable for studio, live or contracting
use.  Brauner
Phantom C
The first non-tube
(FET) large-diaphragm mic from legendary German mic builder Dirk Brauner,
the Phantom C is a phantom-powered cardioid condenser. The Phantom offers
8dBa self-noise, 28mV/Pa sensitivity and 142dB max SPL at 0.5% THD. Intended
for lead vocals and voice-over applications, the mic's sound has been
tailored for "big" up-close recording, with trademark Brauner
transparency at a distance. MSRP: $1,380. CAD's Global Audio
line of cardioid condenser mics includes the M37 single-pattern, side-address
mic featuring a 1-inch, gold-sputtered single diaphragm, 143dB SPL handling
(with pad), transformerless balanced output circuits, a 20dB noncapacitive
pad and stainless-steel internal pop filter. MSRP: $159. When an omni is too ambient and a cardioid is too narrow, the DPA 4015 is the perfect fill-in. The 4015's polar pattern is a wide cardioid, attenuating less to the sides and back than a traditional first-order cardioid. Linear on-axis frequency response: 40-20k Hz, ±2 dB at 60 cm, with a soft high-frequency lift (max. 3 dB) from 10 to 15 kHz. The mic is phantom-powered (P48) and transformerless, and it handles 158dB peak SPLs. List: $1,850. DPA 4041-STLow self-noise and
high sensitivity make the 4041 ideal for detailed work, such as vocals,
strings and other acoustic instruments with large dynamics. Self-noise
is typically 8 dBA (max 9 dBA), and THD is less than 0.5% at 120dB SPL
peak. The phantom-powered 4041 is available in three different versions;
a modular design enables the capsule to be unscrewed from the preamplifier,
offering options of 48- or 130-volt powered solid-state preamps and a
130V tube technology preamp. List: $3,270. This supercardioid
handheld condenser features a Warm Grip handle, smooth bandwidth, low
distortion and wide dynamic range. A LF boost switch beneath the ball
screen offers configuration as a classic-sounding live vocal mic or high-performance
studio mic. In roll-off configuration, low end compensates for proximity
effect, and upper-mid frequencies offer clear and natural response. In
Studio mode, the low-end response is lifted, creating a versatile instrument
mic. The Groove Tubes Model
1B is an excellent mic, delivering better performance and sound than prestigious
mics costing much more. This enhanced reissue of our legendary Model 1A
side-address, true condenser features a hand-assembled 1.10-inch diameter
capsule with an amazingly thin 3-micron evaporated-gold diaphragm. Groove
Tubes' rigorous quality control also ensures that your mic is within ±1
dB of our "golden mic" spec. Available in tube or FET versions. The 603Spr Recording
Package contains two 603S mics, which are matched and include shockmounts
and a rugged flight case. The 603S condenser mics are best used as drum
overheads and in guitar-miking applications. The 603S has a 20mm gold-deposited
diaphragm with a 20-25k Hz frequency response. The polar pattern is sub-cardioid.
The 603S is internally wired with world-renowned Mogami cable. The package
has a MAP price of $249. Oktava's expertise, gained throughout the years as they were Russia's sole manufacturer of ribbon mics, was used to produce this unique mic. The classic sound of the double-ribbon filament, expansive frequency response and nonexistent noise floor, used with a good preamp is ideal for digital recording and many other applications. Eminently suited to string and brass instruments, the ML52 gives a sparkling but never harsh overall sound and a particularly pleasing smooth sound on vocals. Oktava MKL2500The 6C315-P tube in
the MKL2500, with the gold-sputtered 33mm capsule, gives enough third-harmonic
distortion to brighten and add warmth to any sound source. Oktava mics
are well-known for great prices, and the MKL2500 is no exception. All
engineers can now benefit from the tube sound without paying huge prices.
The MKL2500 is a fine all-around mic, suiting digital recording perfectly,
adding character to digital recordings and maintaining a very low noise
floor.  Pauly
Superscreen Pop Filters
German-made Pauly
Superscreen Pop Filters are only available in the U.S. via www.transaudiodirect.com.
Manufactured by Tonmeister Hilmar Pauly, using proprietary materials,
these Superscreens outperform any other currently available, with increased
high end and unparalleled wind rejection—a must-have for confidently
capturing up-close, intimate vocal takes. Measuring 4" inches in
diameter and—-inch deep, they have a unique non-scratch, adjustable
clamp for easy mounting directly to the microphone body. MSRP: $130-$140.  Schoeps
U.S. Edition Mic Sets
Redding Audio, in
cooperation with Schalltechnik Schoeps GmbH, is pleased to introduce a
new series of U.S. Edition Microphone Sets. Available only in the U.S.
through authorized Schoeps dealers, the sets comprise our most popular
amp/capsule combinations with accessories in a custom wooden case—at
additional cost savings to customers. The initial offering includes four
single microphone sets. These sets include a CMC6 amplifier with capsule,
an SG20 stand clamp and B5 foam popscreen.
SE Electronics (TBK) Z-5600 Tube Mic This studio tube condenser
has a 24-carat gold-sputtered diaphragm that's increased from a standard
1 inch to a super-large 1.07 inches. This results in a fatter bottom-end
response and a higher sensitivity. The Z-5600 uses a replaceable 12AT7
tube circuit with very low self-noise. Features include a 9-position polar
pattern selector on its custom power supply, allowing users to switch
gradually between the omni, cardioid and figure-8 patterns, providing
superior control in any recording environment. Includes p/s, shockmount
and aluminum briefcase. Retail: $649. Combining the ruggedness of Shure's legendary SM line with the studio-quality audio of a Shure condenser, the SM86 handheld vocal microphone has a cardioid polar pattern and a wide frequency response of 50-18k Hz. The mic additionally delivers high gain-before-feedback and a tailored frequency response for clear reproduction of vocals. Accessories with each unit include a microphone clip and vinyl storage pouch. MSRP is $300.  Shure
KSM109/SL
The three new KSM
condenser instrument mics feature transformerless preamplifier circuitry
and an extended frequency response for a smooth and focused reproduction.
The mechanically switching dual-pattern KSM141, cardioid KSM137 and cardioid
KSM109 will be introduced at AES 2002. MSRP ranges from $305 to $770. Sony Electronics introduces
a comprehensive range of new mic products at this year's AES. Sony's new
ECM-88 lavalier electret condenser microphone integrates unique technology
in its miniature microphone capsule by incorporating a dual-diaphragm
structure. The ECM-88 offers extremely low handling noise and unparalleled
high sound quality.  Soundelux
EFET 47
The EFET 47 is designed
for the same application niche as a classic FET47 and 87FET combined.
Soundelux achieved this dual-purpose application by building two mics
into one: a top-quality German capsule mated to two completely different-sounding
sets of internal mic electronics via a convenient switch for amazing performance
at an amazing price. Includes low-cut switch and attenuation pad. MSRP:
$2,100. SoundField 422B
Telefunken is back
with reissues of the classic Ela M 250/251 studio tube microphones. Debuting
at AES, these mics are hand-built in the USA to original German specs,
with the same methods used to make the originals 40 years ago. Telefunken
USA also offers replacement parts for all Ela M and U47/48 mics, cables,
power supplies, CK-12 capsules and restoration of vintage mics. |
SoundField
lowers the price of B-format output microphones and offers the ability
to use 5.1 with the introduction of the 422B microphone. The 422B can
be mated with the two-rackspace SoundField SP 451 decoder for 5.1 output.
The SPS422B can operate in an infinite number of continuously variable
polar pattern and stereo width combinations. The 422B is priced at $5,000.