2002 AES
New Products Guide
Signal
Processing—Hardware
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2002 AES New Products Guide |
Signal
Processing—Hardware
|
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| INTRODUCTION AC Power Products Acoustical Materials CD/DVD Duplicators/Recorders Computer Peripherals Computer Software Connectivity Control, Sync & Automation Digital Converters Loudspeakers Microphone Preamps Microphone Products Mixing Consoles Music Products Power Amplifiers Recording Devices/Editing Systems Signal Processing—Hardware Signal Processing—Software Test Equipment Wireless Products Other Products |
Anthony DeMaria Labs ADL 670 Compressor Over the years, many
have tried to reproduce the sound of the classic Fairchild 670 compressor,
but none has taken it to the level of Anthony DeMaria Labs' new ADL 670
Compressor. The unit is hand-built and matched part-for-part with the
original—the same switches, tubes and specs—to perfectly reproduce
the sound of the original. The Apex Intelli-Q
is a digital problem-solver for live sound engineers. Optimizer comprises
two identical channels—each featuring graphic, parametric and shelving
EQ, high- and lowpass filters, dual-band compressor, output limiter and
variable delay—that may be linked for stereo use. The software supports
remote control of up to 16 units from hardwired or radio remote PC, with
storage and instant recall of scenes and setups. The DPX-100 combines proven circuitry from the popular MQX Series EQs and CLX Series comp/limiters, featuring a 15-band graphic EQ and full-function comp/limiter, all in a single rackspace. The EQ section and comp/limiter of the DPX-100 can be used independently or chained in series. The dynamics section uses peak-detection circuitry and has individual controls for gain, threshold, ratio, attack, release and output level. Ashly DPX-200The DPX-200 combines
proven circuitry from our popular PQX Series EQs and CLX Series compressor/limiters,
featuring a 4-band parametric EQ and full-function compressor/limiter,
all in a single-rackspace. The EQ section and compressor/limiter of the
DPX-200 may be used independently or chained together in series. The EQ
section has separate mic and line inputs, and four bands of filtering;
there are also two full-bandwidth parametric EQs as well as a low-shelf
and high-shelf filter. The new CEDAR DNS2000
Dialog Noise Suppressor is an automated implementation of its noise-suppression
technology, designed specifically for Pro Tools users. Connected to a
Pro Tools host system using just a simple USB cable, the DNS2000 processor
unit provides the DSP, as well as the 24-bit AES/EBU and S/PDIF I/O for
the system. With near-zero latency, 40-bit processing, and a fast, intuitive
user interface, it eliminates traffic noise, aircraft, air conditioning,
wind, rain, tape hiss and general background noise from recordings and
live transmissions. It will even suppress excessive reverb. List: $6,525. "Ibis,"
the new discrete, Class-A stereo equalizer, has four frequency bands and
an adjustable low-cut filter. Also included is a Color function that can
be applied to the overall audio path or to an individual frequency range.
Each band has a 12dB boost/cut range, adjustable bandwidth from 0.5 octave
to 3.5 octaves, and switch-selectable frequencies on musical centers covering
full-step intervals. A mastering version is available. DriveRack 260 is the
latest addition to the highly successful DriveRack equalization and loudspeaker-management
system. The 260 offers two inputs and six outputs with dual 31-band graphic
equalizers on the input with feedback elimination, subharmonic synthesizer,
time-alignment delay, various crossovers, compressor/limiters and the
included DriveWare The dbx 2-Series graphic
EQs are available in three different models: Model 131, a single-rackspace,
single-channel unit with 31 bands; the 215, a single-rackspace, dual-channel,
15-band; and the 231, a dual-channel 31-band in a two-rackspace chassis.
The 2-Series has been designed for the discriminating, yet budget-conscious
users. Since 1981, the Original
Tube Direct by James Demeter has been the standard by which all other
direct boxes have been judged. Now, to celebrate its more than 20 years
in production, we are offering a limited-edition Tube Direct, hand-signed
and numbered by James Demeter. Still featuring the classic design with
Jensen transformers, used by George Massenburg, Al Schmitt, Lyle Lovett,
The Who, CSNY and many others, it comes in a new gold box. James Demeter
will be signing units to be picked up at the Demeter booth at AES.  Drawmer
Tube Station 1
The TS1 combines a
Class-A Drawmer preamp with stereo soft-knee Drawmer tube compressor and
a 24-bit/96k digital converter for a warm analog path with wide dynamic
range and higher digital resolution. Performs as an excellent stereo tube
compressor for fattening mixes or as dedicated voice or instrument channel
preamp/compressor. Used as a channel strip, the HF contour control and
variable highpass filter (25-250 Hz) bring new definition, presence, and
clarity to vocals or acoustic guitar. Retail: $749; the digital output
option is $249.  Eventide
Orville Option Boards
These two option boards allow Eventide's flagship Orville processor to have a full digital input/output section, with eight channels of AES/EBU running at up to 96 kHz with 24 bits, including sample-rate conversion. The second option board brings an ADAT optical connection allowing eight channels of 24-bit digital audio (or four channels at 96 kHz, using the S/MUX standard), and an Ethernet connection to facilitate high-speed communication with a host computer for downloading VSIG algorithms, etc. Prices TBD. Eventide Retro Algorithm CardsThese expansion cards
for Orville/DSP7500/DSP7000 exactly re-create the classic Eventide DSP4000
Series effects processors. Running on the current flagship series Harmonizer
effects processors, the retro cards allow customers access to classic
old-school Eventide sounds. Series includes DSP4000, DSP4500, GTR4000,
GTR-II and DSP4000B.  Groove
Tubes The DITTO Box
DITTO (Direct Input
Tube Transformer Output) is the ultimate DI box and instrument preamp
for stage or studio, with isolated balanced low-impedance output for all
types of instruments. Provides either unity gain (as a DI), or use the
variable output level control for up to 24 dB of all Class-A tube preamp
gain! Perfect for directly recording vintage keyboards, electric bass,
and acoustic or electric guitars to DAWs. Uses a custom-designed GT output
transformer and two specially selected dual-triode Groove Tubes.  Joemeek
MC2
The MC2 is a 1U, half-rack,
photo-optical stereo compressor. This little baby packs the punch of its
bigger brothers and offers balanced I/Os on ¼-inch TRS, external
power supply and a solid metal housing. The MC2 incorporates an automatic
ratio control but offers independent control of compression/threshold,
attack and release. In addition, the unit includes inserts for more flexibility.
List: $249.99. The new DN9340 Helix
Equalizer from Klark Teknik is a five-mode dual 31-band graphic EQ, a
dynamic EQ and a dual 12-band parametric. The two-rackspace Helix includes
full-function delay line in both time (milliseconds, microseconds) and
distance (feet, inches or meters). An "auto-gain ranging" feature
automatically and instantly compensates for gain changes caused by cutting
or boosting frequencies, so your EQ curve has no effect on the gain structure
of your sound system. This high-quality
DVD-Audio interface converts the six consumer analog outputs of your DVD
player to +4 balanced. Super-low distortion, low noise and crosstalk. Automation and LOGIC7 UpMix Algorithm options are now available for the 960L Multi-Channel Digital Effects System. The Automation option allows program changes, pan moves, parameter adjustments and mutes to be written and played back, synchronized to incoming timecode. An extension of Lexicon's proprietary LOGIC7 technology, the LOGIC7 UpMix Algorithm option creates surround (5-channel) output from stereo (2-channel) input sources. These options are available with Software Version 3.0 and above. Lexicon 960LSThe 960LS is a stereo version of Lexicon's flagship 960L Multi-Channel Digital Effects System. It comes standard with a LARC2, one DSP card and eight channels of balanced analog I/O. Hardware options include a second DSP card that more than doubles its available processing power, and an AES/EBU Digital I/O card with eight channels. Software options include automation, stereo delays, and additional 96kHz reverbs and multichannel capability. With multichannel capabilities enabled, other options such as surround configurations, surround delays, more 96kHz reverbs and LOGIC7 UpMix are also available. Lexicon MPX550The MPX550 is a true-stereo,
dual-channel processor with 24-bit internal processing, 24-bit AD/DA and
S/PDIF I/O, and Lexicon's exclusive Lexichip. Its 255 carefully crafted
presets feature legendary Lexicon reverbs, world-class effects and dynamics.
Four Edit knobs, an Adjust control and parameter adjustment graphics make
it simple to dial in the desired sound. Other features include a large,
graphic front panel display, a built-in digital compressor, Tap Tempo
and MIDI Learn Mode. A revolutionary rackmount
effects processor that runs any VST plug-in. Starting with Steinberg's
standard, and adding a quick, intuitive user interface, stellar audio
performance, advanced copy protection, and wrapping it in a slick, quiet
2U package, this product will change your idea of VST plug-ins forever. Princeton Digital's
first product, the Reverb 2016, re-creates the legendary reverb algorithms
of Eventide's SP2016: Stereo Room, Room Reverb and High-Density Plate.
Every aspect of the original effects has been duplicated, including every
detail of the user parameters. While the algorithms are identical to the
originals, the hardware implementation is state-of-the-art, with features
that include 24-bit DSP, 24-bit analog audio I/O, digital I/O and MIDI
interface. The Yardstick 2404 is a next-generation room simulator and multi-effects processor based on the original Quantec QRS. The 2404 features 8-channel AES/EBU I/O, 96kHz sampling, bandwidth filter and variable density buildup. Effects include eight delay lines with 40 seconds total delay time, EQ, flanger, chorus, gate and compander algorithms. DSP is provided by a floating-point 32-bit processor. Holds 1,000 onboard presets. Control is via RS-232, MIDI I/O or 10Base-T Ethernet. Quantec Yardstick MC 2405The Yardstick 2405
room simulator and multi-effects processor is the analog I/O version of
the 2404. The 2405 features an 8-channel AES/EBU I/O, 2-input/4-output
balanced analog I/O, 96kHz sampling, a bandwidth filter and variable density
buildup. Effects include eight delay lines with 40 seconds total delay
time, EQ, flanger, chorus, gate and compander algorithms. DSP is provided
by a floating-point, 32-bit processor. Holds 1,000 onboard presets. Control
is via RS-232, MIDI I/O or 10Base-T Ethernet. Following the original JDV, the Mk3 has the same acclaimed Class-A audio circuit, but adds an ultralow-noise power supply with huge 30V internal rail voltage and almost unmeasurable THD, IM and phase distortion. It lets musicians select between two instruments, drive several amps simultaneously and monitor signals with a tuner. Features include: variable Drag control (adjusts impedance/loading to simulate the effect of amp loading, cable resistance and capacitance), high/lowpass filters, polarity reverse, -15dB pad and ground lift. Radial Engineering Trim-SetIn situations where
many guitar amps are driven from a single guitar, minute volume changes
on the amps may be needed to attain a desired balance. Designed for use
with Radial's JD7 Injector and JDV direct box, TrimSet is a 3-channel
level controller for tweaking the levels going to the amp. The passive
Trim-Set's three individual channels have an on/off selector, a level
control and a "Slope" control to offset losses from longer cable
runs. Sound Performance
Lab's fully parametric, 2-channel, 5-band EQ with pure analog equalization
circuitries boasts Supra discrete op amps operating at 120 volts, with
a S/N ratio at 116 dB and a dynamic range of 150 dB. Other features include
digital memory presets and full recall with motorized controls, constant
Q and proportional-Q equalization (selectable per band), channel link
and master/slave unit link modes (defeatable in each band). An optional
remote-control unit controls up to four PQs for surround processing. The Circle Surround CSE-07 Encoder enables the encoding of up to 6.1 channels of discrete audio for transmission over low-bandwidth, 2-channel carries, such as broadcast/cable television, streaming media and CD. The Circle Surround CSE-07 Decoder is a "universal" decoder, complete with patented Dialog Clarity and TruBass. It is ideal for the pro monitoring of CS-encoded content, and it will deliver up to 6.1-channel playback from mono, stereo and Lt/Rt-encoded sources. SRS Labs Broadcast Sports ProcessorThe BSP is a new,
single-ended processor that improves the quality and clarity of mono,
stereo or surround broadcast signals. It includes two patented SRS technologies,
a stereo synthesizer that simulates realistic stereo from mono source
material, and a dialog clarity circuit that elevates an announcer's voice
above ambient sounds. The BSP enables sound engineers to enhance mixes
by increasing ambient sound effects, such as crowd noise, while preserving
voice intelligibility. TC Electronic introduces the new Reverb 6000 algorithms for the System 6000. Including ambiences from 16 mono to dual 6.1, Reverb 6000 is an industry first, with new multiformat delay and boundary effects, as well as desirable effects from the past. Reverb 6000, including presets such as DVR-2 Vintage Reverb (EMT-250 emulator), VSS-M4 (multiple mono reverbs), VSS-6.1 (industries first 6.1 reverb), NonLin-2 Reverb, Reflector Multitap Delay and Preset Wizard. Reverb 6000 is a free upgrade for existing System 6000 users. TC Electronic M300TC Electronic proudly
presents the new M300 Dual Engine Processor, offering quality sound and
a straightforward, no-nonsense user interface at an affordable price.
The M300 Dual Engine Processor covers virtually any effects application,
from P.A. and live to studio and club installs by combining a dedicated
true-stereo reverb engine and a multi-purpose effects engine. The true
dual-engine design combines 15 stereo reverbs with 15 legendary TC effects.
MSRP: $299. The VoiceOne Voice
Pitch/Modeling Tool is a breakthrough in vocal technologies and the most
advanced and powerful tool ever for audio professionals working with vocals.
The broad palette of new dedicated voice tools includes Vocal-Trained
Pitch Recognition, Hybrid-Shifting algorithms, Flextime elasticity algorithms,
Voice Modeling and full DSP mode for low latency/extended performance.
The VoiceOne hardware consists of 24-bit AD/DA converters and S/PDIF digital
I/O, and it supports both 44.1k and 48k rates. MSRP: $1,299. The TL 5021 features hard- and soft-knee modes, four attack and release times, an improved optical gate and an optional digital output. A proprietary transconductance amp design avoids the use of VCAs. Two tube stages per channel, in the form of a Sovtek ECC83/12Ax7A twin-triode tube, are run from a stabilized 150VDC supply. One stage is in the preamp and the other is in the gain control element of the compressor. MSRP: $829. TL Audio 5051 Ivory 2 SeriesThe 5051 is a front-end
processor combining a preamp, compressor, EQ, noise gate and optional
digital output. The compressor section includes hard/soft-knee modes,
and the 4-band equalizer section features an improved optical gate. The
5051 has six tube stages, using three twin-triode ECC83/12Ax7A tubes on
a stabilized 150VDC power supply. One stage is located in the preamp,
one in the compressor gain control circuit and four in the equalizer section.
MSRP: $829. |
