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Mixing
Consoles
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| INTRODUCTION AC Power Products Acoustical Materials CD/DVD Duplicators/Recorders Computer Peripherals Computer Software Connectivity Control, Sync & Automation Digital Converters Loudspeakers Microphone Preamps Microphone Products Mixing Consoles Music Products Power Amplifiers Recording Devices/Editing Systems Signal ProcessingHardware Signal ProcessingSoftware Test Equipment Wireless Products Other Products |
Allen & Heath PA Series In response to customer requests for pro-quality mixers for smaller shows, Allen & Heath shows the first two consoles in its PA Series, the PA12-CP and PA20-CP (12 and 20-channel) powered mixers. Both consoles include a Constant Power amplifier, providing 500 watts per side into either 4 or 8 ohms without loss of power. Allen & Heath iDR SeriesAllen & Heath
announces the iDR Series of audio mixers and processors for installed
and live sound systems. The iDR Series features the iDR-8 audio mix processor,
an 8-in/8-output digital mixer and processor in a 2U rack or desk-mount
chassis. Allen & Heath will also show iDR-in and iDR-out expander
options, plus a range of remote-control devices for building tailored
iDR systems. The Dolby-approved Logic MMC will be demonstrated with a variety of product enhancements at AES. The console's 96kHz operation, XSP DSP engine and MIOS-96 I/O suite make the console a must-have for facilities requiring DFC feature power in a smaller footprint. The console is well-suited for post-production, film, DVD and music facilities alike. AMS Neve 88RNeve's successful
88R console is enhanced with new features and options: The cue mix output
capacity is doubled; aux buses can be split at the center of the console
for independent left-/right-hand side outputs; a mappable, automated dual-joystick
option simplifies complex stereo and 5.1 pan movements; stereo panning
is automatable; phantom center panning on the LCR bus is offered; external
signals can be introduced directly on the mix buses; the remote mic amp
control software is enhanced; and more. Also, the 88R's Remote Mic Preamps
(shown above), which are already in use with 88R consoles worldwide, are
now offered as stand-alone modules. Audient
Aztec Live Console
This console is completely
modular, with a new tubular, lightweight frame and 32/40/48-input channels.
Features include 12 VCA sub groups, VCA solo, 12x8 matrix, eight audio
sub-group buses, eight mono/two stereo aux buses and LCR outputs. A stereo
ambience input on the master section facilitates in-ear monitoring, while
scene automation and peak LED meters on groups, matrix and auxiliary outputs
simplify/optimize gain structure. Competitively priced from $39,700 to
$54,900 (MSRP). Cadac's new entry-level
mixing console, the S-Type, combines Cadac quality in a small, cost-effective
package, setting a new standard for a compact, high-performance mixer
at an affordable cost. USA price is approximately $22,000. Typical specification:
25-way frame, with 16 mono inputs; eight group/matrix/mono aux outputs
and DC master faders; and an osc/comm module. With Cadac's unique frame
design, any module slots into any position in the frame. The Calrec Audio Sigma
100 is the company's second all-digital television production console,
based on the proven architecture used in the Alpha 100. All channels include
4-band EQ, separate filters, compressor/limiter/expander, surround and
stereo panning, and mix-minus outputs. Other features include four surround
main outputs, 12 auxes, 24 MT and eight groups, with 5.1 and stereo monitoring. The Crest Performance
CP-6210 and CP-6220 are high-performance pro music program mixers. Designed
in the style of classic DJ mixers, these offer improved performance specs,
including a low phase shift (minimum signal smear) design. The CP-6210
offers basic 6-channel stereo mixing and signal monitoring; the CP-6220
adds EQ control and assignment, as well as crossfade capabilities to each
input channel. Pricing: TBA. DiGiCo announces the
launch of the ultimate large-format digital mixing console touring package,
the D5 Live. The fully flightcased system can be configured as a 56- or
96-input console, both incorporating an industry-praised, user-friendly
surface with the added benefits of optical-to-stage, digital TFT touchscreens
and full-function processing on every channel. Visit our AES demo room
to experience the future of live digital performance. Euphonix will demo Max Air, a new digital audio mixing console specifically designed for on-air and live-to-tape broadcast production. The console is extremely competitively priced for its rich digital feature set and advanced technology. The Max Air console is based on the proven technology and software of the Euphonix System 5 console; it shares the same DSP core and I/O as System 5 and includes much of the same processing and control software. Euphonix System 5 V. 2.6 softwareEuphonix will demonstrate
Version 2.6 software for System 5. More than 100 System 5 consoles have
been sold worldwide. This high-performance, 24-bit/96kHz digital audio
mixing system comprises a control surface, digital-processing core, digital
and analog interfaces and eMix system-management software. The control
surface follows traditional conventions and layout, so learning/use of
the console is much easier. Effects returns include the same number of
buses, aux sends, EQ, filters and dynamicsall processed at 40-bit. This pro digital audio
production system configured as a large-format mixing console offers Fairlight's
QDC Technology engine. Features: 48 tracks of 24-bit, 96kHz recording
with Binnacle editing; up to 192 inputs to the mix; 12 aux buses up to
7.1 each; eight sub-buses up to 7.1 each; multiformat main bus to 7.1;
up to 48 multitrack buses; real-time 6-band EQ and 2-stage dynamics on
all channels; dynamics on all buses; enhanced surround panning; up to
84 faders; total dynamic automation with moving touch-sensitive rotary
encoders and faders; and a modular, customizable control surface. From
$107,485. The ST2 offers a new touch-sensitive control surface, new PCI-based IKIS automation and Harrison's proven 768-channel digital.engine. The TD Series is a powerful digital film/video mixing system offered in a traditional console format to facilitate ease of use. Features: progressive, ergonomic control surface; touch-sensitive shaft encoders; backlit displays; multi-operator options; multisurface options; I/O format options; customization for specific applications via the powerful IKIS platform; up to 168 summing buses for extensive routing/mix capabilities; dynamic channel profiling; enhanced EQ/panning; signal ID; and up to 384x16 monitor matrices. Harrison by GLW MPC3DThe MPC3-D has a new
control surface, new PCI-based IKIS automation and Harrison's proven 768-channel
digital.engine. The MPC3-D is a radically different, powerful digital
mixing system presented as a traditional film console to facilitate ease
of use. Features: multi-operator options; multisurface options; I/O format
options; customization for specific applications via the powerful IKIS
platform; up to 168 summing buses for unprecedented routing and mix capabilities;
dynamic channel profiling; enhanced EQ/panning; signal ID; and up to 384x16
monitor matrices. JLCooper announces
the Mini, the world's smallest compact controller for DAWs, including
Pro Tools, Nuendo, Cubase SX, Xtrack, Soundscape, Digital Performer and
others. This sub-miniature control console has 32 physical faders, each
with dedicated buttons for Mute, Solo, Track Arming and more. It also
offers transport controls, function keys, a weighted jog/shuttle wheel
and rotary knobs (for controlling pan, EQ and plug-ins), and a footswitch
connector for start/stop and punch. The Mini packs all this into a 9x7.5-inch
package for $499.95. MIDI, USB and other versions will be offered. This feature-packed 4-channel mixer for film/video location recording includes 12/48VDC phantom power, LCF, internal oscillator, VU or peak meter option, PFL, MS facility, compressor, ganging, sub-mixing and digital out. An all-weather carry case is available, and options include the KS-6001 submixer plug-in module, which provides an additional four input channels and the KS-6002 EQ/Compressor module. MSRP: $3,850. Kamesan KS-T2000 Compact MixerThe KS-T2000 3-channel
mixer is a lightweight location mixer offering 12/48VDC phantom power,
LCF, multilevel stereo output, oscillator and switchable headphone monitoring
with EE input. The mixer operates for six hours on four AA cells. An optional
soft case provides storage and all-weather access to controls and connectors.
MSRP: $1,700. With an automated
touch-sensitive control surface, Mackie Control is a 9-fader (eight channels
and master) MIDI controller that provides in-depth mixing, editing, automation
and navigational control for any supported digital audio workstation.
The Mackie Control adheres to a compact, desktop-style design, is supported
by a plethora of DAW manufacturers, and offers a full range of pro features
and controls. The M24 remote-control/mixing
surface features 24 motorized faders and 53 encoders. Software Version
1.4 adds in-depth support for Cakewalk SONAR and Digidesign Pro Tools.
Software released by Fall AES will add additional programs to the growing
number of supported hosts. MSRP: $3,499. The DB-10 digital
broadcast console can be configured with up to 10 input channels, including
A/B input switching. Features include snapshot automation, internal project
management, 3-band equalization, comp/limiters on each channel (with up
to 20 presets), programmable input delay, overload indication and two
mono N-1 buses for telephone hybrids. The DB-10 is equipped with 24-bit
analog and digital I/Os, and supports all sample rates from 32 to 96 kHz,
including sample-rate conversion. Price: $8,500 (US). Peavey's $699.99 Club
Mix is a 4-channel, 8-input DJ mixer. The innovative Cue section allows
monitoring of effects or samples in the headphones from any of the inputs
before sending them to the house. The A/B Compare switch allows a visual
comparison of signals assigned to each side of the crossfader. A "Phat"
EQ control reduces mid-frequencies and boosts bass and highs. The mixer's
paint and knobs react to blacklight. The Empath mixer is
the first 3-channel, 10-inch format mixer to offer big board features
and studio-quality sound. The mixer is feature-packed, yet easy and intuitive
to use. Grandmaster Flash is responsible for many of the important features,
control locations and even the name. Empath implies understanding, awareness
and sensitivity to DJ's needs. The Empath mixer is designed for professional
DJs and applications such as clubs, broadcast, competition, remix and
live sound. Retail: $1,199. Solid State Logic announces new developments to its flagship XL9000 K Series SuperAnalogue console, increasing its integration with the company's TEC Award-winning 956 Film Scoring System. These combine the benefits of the XL's advanced sonic performance with the application-focused features of the 956 scoring system. Other benefits include enhancements to the performance and display of the K Series' regional fader trim function and new total recall and faders display features. Solid State Logic Avant Plus SP (Shortform Post)This compact-configuration
Avant console packagedesigned specifically for short-form post applicationshas
new control surface features, allowing up to 192 mix inputs to be controlled
from a 16-fader console. External workstations can be controlled and edited
without leaving the surround listening sweet spot. Combined with Avant's
integrated nonlinear automation and comprehensive surround monitoring,
the SP package can produce commercials with ease, yet still cope with
drama-scale productions when the opportunity arises. Designed for high-performance ENG/EFP on-location applications, Sony's DMX-P01 is a 4-input portable digital mixer with 24-bit, 48/96kHz AD/DA conversion. An LCD allows easy setup of the onboard digital limiter/compressor and EQ. Sony SIU-100 and DMBK-S101Sony's new mixing
products include the SIU-100, a MADI-based I/O system that has a 160x160
audio matrix with front panel or Ethernet control, 100 recallable snapshots
and available redundant power supply. The DMBK-S101 is an 8-channel, remote-controlled
mic preamp. The SIU-RM101 is a dedicated remote-control unit for the DMBK-S101
that can control up to 56 microphones from 300 meters away. Soundcraft has topped
off its MH4 family of multipurpose live performance mixing consoles with
a new 56-mono/4-stereo-channel frame size. The design topology of the
MH4 allows it to serve as either a dedicated FOH or monitor desk, or as
a combination of both. The console features 20 auxiliary buses, new mic
amp and EQ designs, eight VCA and eight mute groups with snapshot automation,
true LCR panning and outputs, and integral 20x8 matrix. MSRP: $42,995. The 442N is a new
variation of the popular 442 field mixer with a Norbic scale PPM meter.
The 442N includes all of the recent improvements to the 442, including:
three-color GaN LED output meters, four levels of meter brightness, peak/hold
metering option, Hirose 4-pin DC jack, and mic/line switchable TA3 master
and direct outputs. The 442N and 442 retail for $3,195. The Soundtracs DS-3B
is a 32-bit, floating-point digital console, with each of the 64 or 96
channels having 4-band parametric EQ, two filters and dynamics sections.
The innovative worksurface, available with either 24 or 32 faders, incorporates
touch-screen technology in conjunction with 25 or 33 motorized faders.
Operating at 96 kHz or 48 kHz with 24-bit conversion, it provides 32 output
buses, each with limiters for stereo, LCRS and 5.1 formatting. Complete
with subtractive mix-minus GPO, GPI and full redundant PSUs, helping to
make this the most powerful digital broadcast console in its class. The Sound Performance
Lab MMC-1 operates in the center of a mastering environment, handling
tasks such as speaker management, source connectivity, audio metering,
track assignment, master and monitor level setting, and automated insert
routing of external processors. Thanks to SPL's Supra op-amps (120V operating
voltage, S/N 116 dB, dynamic range 150 dB), the MMC-1 will not "bottleneck"
using high-resolution PCM or DSD technologies. This 9-channel, 3x300-watt tri-mode powered mixer offers onboard digital effects. Each channel features a 3-band EQ and two aux sends. Master section features one stereo aux return and triple 7-band graphic EQs. Power amps can be configured for stereo FOH plus monitor, or bridged mono FOH plus monitor. There is also a built-in crossover with subwoofer output. MSRP: $999.95. STK Pro Audio VX1443RThe VX1443R is a rackmountable,
14-input (10 XLR), 4-bus mixer. Channels have 4-band fixed EQ and four
aux sends. Channels are routable to subgroups; subgroups are routable
to L/R. Also featured are two stereo aux returns, AFL/PFL, onboard 7-band
graphic EQ and a subwoofer output. MSRP: $829.95. The Vista Remote Bay
expands the power of Studer's acclaimed new Vista 7 digital console by
providing the same functionality of one of the Vista 7's standard 10-channel
bays. The Remote Bay expands the number of available faders, and its operation
and navigation through the DSP is identical to the console channels. The
unit can also operate up to 400 meters away, as an independent controller
with its own choice of channels to be controlled, for applications such
as submixing in a TV studio or an OB van, or as an onstage/in-audience
remote to the main console in live applications, location broadcasts,
etc. Voyager Sound's GraphiMix
is a versatile audio mix surface technology that gives real-time visual
and aural control of mix productions. It is truly a universal mixing interface.
GraphiMix employs a user-definable onscreen mix surface with image or
text icons to represent individual sound elements. Supports multiple stereo
and surround sound mixes simultaneously. GraphiMix software improves artistic
control while significantly reducing production time. Ideal for post-production,
surround, sound reinforcement and lighting applications. |